Apparent motion from apparent lightness

Subjective color from apparent motion.

In an effect we call color from motion (CFM), apparent motion is accompanied by subjective color spread seen in physically achromatic regions. Here we report that physical lights can cancel the subjective color seen in CFM. As measured by cancellation, the saturation of the subjective color spread increases as the luminance of the test elements increase. Without luminance differences between te...

Seeing Motion and Apparent Motion

In apparent motion experiments, participants are presented with what is in fact a succession of two brief stationary stimuli at two different locations, but they report an impression of movement. Philosophers have recently debated whether apparent motion provides evidence in favour of a particular account of the nature of temporal experience. I argue that the existing discussion in this area is...

Object-based apparent motion.

The interpretation of a dynamic visual scene requires integrating information within frames (grouping and completion) and across frames (correspondence matching). Fragmentary views of objects were used in five experiments. These views could not be matched with each other by any similarity transformation on the basis of their explicit visual features, but their completed versions were related by...

Depth from subjective color and apparent motion

We report that color and depth, as well as form, are recovered in tandem with seeing motion. The stimulus, consisting of multiple frames, was designed to keep all aspects, except color, of the binocular images identical. In still view, rivalry occurs due to the unmatched color of some corresponding image elements in the two eyes. When frames--created by translating color assignments and nothing...

xx Illusory Color Spread from Apparent Motion